{"id":5216,"date":"2025-12-20T10:52:27","date_gmt":"2025-12-20T09:52:27","guid":{"rendered":"https:\/\/galeriepiatti.com\/catalogue\/candlestick-central-europe-circa-1500\/"},"modified":"2025-12-20T10:52:27","modified_gmt":"2025-12-20T09:52:27","slug":"candlestick-central-europe-circa-1500","status":"publish","type":"catalogue","link":"https:\/\/galeriepiatti.com\/en\/catalog\/candlestick-central-europe-circa-1500\/","title":{"rendered":"Candlestick – Central Europe – circa 1500"},"content":{"rendered":"\n
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This Gothic candlestick was made around the end of the 15th century in Central Europe, which was renowned at the time for its production of copper alloy objects, particularly brass and bronze. From the 14th century onwards, metal candlesticks enjoyed a resurgence of interest in Western Europe and gradually spread throughout ecclesiastical circles and then into wealthy households, alongside improvements in candle manufacturing techniques. <\/p>\n\n\n\n

This work is fully in line with this type of production, while distinguishing itself with a more rectilinear profile and restrained ornamentation, reflecting a search for balance. The object is made of gilded brass and features a symmetrical shaft composed of three knots, resting on a large circular pedestal. The base is topped by a circular platform serving as a bobeche, designed to collect melted wax and protect the surrounding surfaces. <\/p>\n\n\n\n

The socket has two openings, a feature characteristic of medieval candle holders that allowed the burnt stub of the candle to be removed. This functional detail reflects the rational use of wax, which was an expensive material in the late Middle Ages. With the standardization and sophistication of candle production from the 16th century onwards, this type of opening tended to disappear. <\/p>\n\n\n\n

The overall shape of the stem and base reflects a combination of influences. It shows both Middle Eastern influences, evident in the use of tall, cylindrical or slightly conical bases, and European traditions, particularly those of spike candlesticks, in which the stem is supported by several points of contact. <\/p>\n\n\n\n

This candlestick thus illustrates the circulation of forms, techniques, and expertise at the end of the Middle Ages, in a context of intense commercial and cultural exchange.<\/p>\n\n\n\n

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